the first ten years

Screen Shot 2015-11-17 at 4.23.03 AM Courtney is one of my best friends. She and I moved to New York together as roommates in 2007. She supported me through break-ups and breakdowns and she was by my side on November 7th when Raven and I got married (she was also there, three days prior, for an hour + long conversation as I ranted away about trivial stresses).

Today her first book comes out. It's called The First Ten Years, and if you have a shred of creative drive anywhere in your body, it's for you. If you've ever considered a grander plan, breaking the mold, or have spent an afternoon crafting, please consider purchasing it.

I haven't finished reading the book yet, but that's not required for me to show you how much she knows about the creative struggle. You are reading the proof. 

You have something more to give.

-Courtney Romano

Courtney helped me found this blog, and helped me create my business. This is not me blowing smoke, it's just fact. She believes so wholeheartedly in our capacity for greater, smarter, more fulfilling work, that before this book was even a serious consideration in her mind, she was living and breathing its ideals.

If you go back in the archives of LRW, you'll find Courtney's posts on this blog. If you're interested in checking out her writing style, here are a couple of my favorites:

Being Alone in New York City

Goodbye 20's: The Biggest Mistakes of My Last 10 Years

What Perfectionism Can Do For You

But truly, go buy the book. You will not regret it.

xoxo,

ALLIE SIGNATURE

image via Courtney's Instagram. Her website is www.courtneyromano.com.

giving up on prestige & stability to unblock your best work

Author's Note: I'm in the process of writing my first book on how to build and sustain a creative life. This post may be the basis for one section of the book. If you're compelled, engage with it - tell me your stories, share your experiences, let me know where and how this resonates with you. And thanks for letting me share my process, Wellers. Lots of advanced love to you for your generosity. A constant and colorful narrative has been playing in my head as of late. I look around at the world and imagine alternate realities of my life. I imagine having money, not lots of it, but enough that booking a vacation wouldn’t feel like taking out a second mortgage (not that I know what having a first mortgage feels like). I imagine having a normal work schedule. I imagine knowing that one day I’ll have a retirement savings. It all looks and feels so stable from my vantage point. It looks grown up. It looks grounded.

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And then I look around at my life - our little rental apartment in Queens, my MacBook Pro from 2007 without a battery because I can’t afford a new battery or a new computer, my bank accounts where I need to constantly shuffle around money to pay the bills on time and I see my reality. It’s very much an artist’s life. It’s feels inconsistent, incoherent, untamed. It has all the trimmings of uncertainty and hand-me-downs that you’d expect of someone disregarding financial stability to favor the pursuit of passion.

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Which makes it tricky when you lose your passion. I haven't loved acting as much lately. Let me be clearer: I haven't loved the business of acting as much lately. In her play The Understudy, Theresa Rebeck writes, “Being an actor is great. When you get to do it.” This is Truth. But we don’t always tell the truth about what happens to us when we don't get to do it. The times we don’t get to create. The times we feel oh so very trapped in a system that doesn’t seem to have room for us. These are the moments it feels like the artist’s life we're living is merely a facade because we are not actually engaged in the point of leading an artist’s life: making the art. We are ideas of identity. We are casings around the gap between wanting and doing.

This is maybe the biggest question of your career. Not only for actors, of course, but for anyone who feels they have a calling they must follow come hell or high water. Because when hell and high water inevitably show up at your door, this big question has to be answered: Do I love this enough? Is this worth it?

I have been asking myself this question for a hot minute now and I think, for me, it’s come down to this: if you choose to really live an artist’s life, one with magic and power and agency in it, you no longer have time to care about stability. Would it be nice to have? Of course. Is it worth chasing anymore? Hell to the no.

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The pursuit of stability is unquestionably linked to the pursuit of prestige. For me, I actively pursued prestige by looking to anyone who would cover my insecurity with good reviews, compliments and buoyant optimism. I wanted so badly for everyone else to tell me how it would all turn out well so that I could easily and comfortably make my way from gig to gig knowing that I was always inching closer to “making it.” [Sidenote: Let me know when you figure out what “it” is.] The problem with that is that when you base your entire trajectory on grabbing prestige and stability as fast as possible, you blind yourself to what makes you shine. You’re looking to fill the market’s demands, not your soul’s. Your strengths and nuances get drowned out by the big, bad roar of SUCCESS. The one thing that actually could create stability for you - an authenticity in your work - is the one thing you’ve given up.

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I lost my passion for the work because I put my passion into ambition. I have been chasing a finish line for years because the rest of the world agreed this finish line was the best possible outcome - as stable as it could ever get. So if I’m utterly honest with myself (painful though it may be), all of those years, it was never about the work. It was about being the best. And we all know what kind of work shows up when we are focused on “what they’ll think” instead of what we know. Stale, meaningless, blank, boring work.

It makes sense that we crave the stability we think success will bring. We think we live in a world of finite things. We look around and see buildings, structures, order. But that's not the nature of the world. The nature of the world is uncertain, ever-changing, chaotic. The butterfly effect and all that. What we see in the world as finite is merely a representation of the human search for order. But that yearning comes from our mind - not our nature. Our real nature reflects chaos and change; as Walt Whitman wrote in Song of Myself:

Do I contradict myself?

Very well then I contradict myself,

(I am large, I contain multitudes.)

Our very nature is to contain multitudes and so should our art. It's in our nature to be thrown off, unbalanced, unhinged. So it stands to reason if our art is going to compel the world in any meaningful way, then it must contain a recognizable reflection of those natural  multitudes. And so, if our art (and artist's life) does not obey the laws of our very nature, we are automatically sacrificing its power and falling short.

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If I’m going to be living the aforementioned artist’s life of living paycheck to paycheck, then I better be making more than stale, meaningless, blank, boring work. Not everything I touch will be gold, and I’ll surely look back in a few years at the work I’m doing today and cringe, but at least I will have pursued the glory of the work itself - not my attachment to it, not my benefit from it, and certainly not any prestige or stability it might bring.

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Even if the paycheck, the award, the stacked resume do show up, they will never generate enough satisfaction if you’re not doing your best work. Nothing can cover up shortcomings. Nothing can cover up regret. Letting your best work out of you day after day, despite crappy circumstances, despite instability, despite daydreaming of alternate realities is the direct route to reigniting your passion, remembering why you committed in the first place and playing for keeps. And living that life is totally worth it.

How has the quest for prestige and stability affected you?

all images via Pinterest

goodbye 20s: the biggest mistakes of my last 10 years

Reflecting at the turn of a decade ain't nothin' new. It's an easy, clean, obvious way to structure self-growth.  It's the proverbial fork in the proverbial road, so we think, well this seems like a good time to make a change. As I stare down my own fork in the road, I'm struck and overcome with enormous gratitude for the life that has built up around me. I am excited for what is to come. But mostly, I am profoundly indebted to the mistakes of my 20s. They were all so generous to me, and I would make them all again to get where I am now. But now that I'm here, oh dear God, I'm ready to give them up so I can make brand new ones.

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Here are the biggest hits (or misses) of my 20s to which I'm saying thanks for the growth and goodbye forever:

Being there for everyone else but not for myself. I have The Good Girl Complex (GGC) where you assume that being what everyone else needs means you are being a good person. In my 20s, I would say yes to absolutely everything just so I didn't let anyone down. Now I am learning that saying yes to everything means no one actually gets to know you. No one actually knows what makes you tick, what you like, what you see, who you are. No one knows any of that, including you. You cannot possibly create genuine connections by lying to yourself and to others. You cannot possibly give your heart away, create the work of a lifetime, take any huge and profitable risks if you don't show up authentically. The 20s are a great time to try out what everyone else expects of you, but make sure if you do this that you burn out enough to stop doing it as soon as possible.

Following a prescribed path instead of defining what moved me. More GGC: I believed in dues and paying them. Okay, if you're here, just stop doing that now. Yes, there is always something to learn and there are always people to revere, but that cannot take the place of your instinct. Absolutely no one in this world has the answer, so your solution to following your dreams or creating the life you want is just as valid as your mother's, or Gandhi's, or any of your Facebook friend's.  There is no prescription to a happy life that you don't already know. The work is in clearing the mental muck out of the way so you can access all of that juicy, instinctual, know-it-all-ness in your bones. Don't get me wrong, you will make mistakes when you follow your own path, but better they be your mistakes, ones you can own and learn from, than someone else's.

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Creating false boundaries. Here were stories I used to tell myself on the daily: Actors can't be moms. Actors can't be writers. Successful actors can't have day jobs. For acting work to have value, someone has to give it to you, you cannot make it yourself. Guess what, 20s? I see through you now. The only value anything has is based on the integrity with which you come to it. Tweet: The only value anything has is based on the integrity with which we come to it. - @courtneyromano via @littleredswell http://ctt.ec/839qK+Those boundaries are lies. We are lying to ourselves when we look at the world and say it's never been done before, because once upon a time - none of this was done before. So it comes down to either wanting to do it or not. False boundaries are lines we draw in our brains and repeat like they are facts. ALERT: just because it's in your head, does not make it true. Cross-check with your heart, your gut, and the people who love you the most.

Denying the fact that I didn't know a lot of things. I know barely anything anymore. Not for lack of trying. I would love to know all the answers to every question, problem, conundrum. I used to think that not having the answer was a weakness, like I should be able to come up with something if I was smart enough. But not knowing leaves you open to being a student, and if there is one thing I want to be doing when I'm 80 years old, it's learning. The way I feel when I learn something brand new ignites my mental fire. It makes me certain that the mystery of this universe will continue unfolding, we will never have the answer, and every day will be more beautiful because of it.

Acting like there was a finish line I was desperately trying to cross. That dull ache of not getting enough done, and over-extending, and collapsing in exhaustion? I'm all set with that. When you're 22 and getting out of school and wondering who you will be, you'll set goals and time limits and benchmarks of success. But before you know who you are, there is no way you can accurately set so many standards for your future self, so those "standards" are completely arbitrary. Every actor has this one, right: be on Broadway before 30. But here's my new one: play the long game with your craft, create a sustainable lifestyle that keeps you creating every day, and if, as you travel forward on this path of making art you cross over Broadway, that'll feel really amazing. Which version do you think has a better chance of "success"? There's no finish line. I'm in it for the long haul.

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Not traveling so I was "available." Availability, availability, availability. We are so available to everything else that we forget to show up to our own lives. When I tell people I haven't been to the West Coast, they look at me like I have just emerged from the large rock I must have been under all these years. I never used to plan vacations because of what might happen. I didn't know when the next job or paycheck would come, so I didn't want to leave for fear of missing out. But the world is too big to not go on adventures, and I've learned that when real opportunities come - you'll make yourself available.

And the very biggest mistake of all: trying too hard. This is the biggest, baddest mistake I've ever made. In relationships, jobs, auditions, thought patterns, even self-growth. "I'm working really hard on it..." became a phrase banned from our household over the last year. Less working, more breathing. So this is what I've learned about trying too hard: It's selfish. It's not about understanding what others need, it's about making sure you're what they need. Sometimes, you're just not, but if you try to fit into every mold, you'll feel immense pain and constant rejection. Not everyone needs to like you or your work for you or your work to be likeable. For me, trying too hard was about getting a return on investment. Instead of thinking, how can I help make this situation better or give the people something that makes their lives better, I was attempting to affirm my own life through hard, hard, hard, hard work. I'm not saying you shouldn't throw yourself whole-heartedly into your passion and burn the midnight oil from time to time, but dear loves, it should be easy to get down and dirty.

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If there's one thing my 20s have prepared me for, it's the art of mistake-making. I cannot wait to make even stupider mistakes. I cannot wait to learn even bigger lessons, because this decade 'round the mistakes and lessons are going to be unequivocally and authentically my own.

What are your favorite mistakes?

image sources: 1, 2&4, 3 is my own.

 

5 ways to deal with uncertainty

We just want to KNOW. Did I get the job? Does he love me? Will I be happy? We just want to know how it will all pan out. I’m an actress, so half my life is spent hoping hard and being rejected. Does that seem dismal? Well, it’s probably more like 70% rejection. But the rejection isn’t the thing that crowds under my skin, making me all squirmy and uncomfortable - the thing that does that: uncertainty. uncert

This need to plan out our lives with careful, calculated, measured certainty is, of course, the antithesis to living a creative life. We know this, and yet, it doesn’t take away the sting of lingering in limbo. It doesn’t calm the swollen heart that can’t decide whether to pump the body with hope or disappointment. It doesn’t still the nerves that hear phantom phone rings when nobody’s a-callin’.

Uncertainty is a fact of life, but this doesn’t mean we have to be a slave to it. I’m not suggesting we sweep our emotionally split attention under the rug, but we can get resourceful when dealing with it:

1. Define what you crave. Okay fine, so you’re not sure how this one job is going to work out, but why does it bother you? What will knowing get you? When you define the thing you are actually craving, you realize that you can have that thing immediately. Go deep. Dig until you’ve gotten to what you’re sure is your baseline. Creating stability doesn’t happen by having your ducks in a row, it happens by figuring out what drives you and who you are.

2. Reach out from your uncertainty. Chances are someone else in your field has felt the same way. Don’t fool yourself into believing this experience is unique. Don’t get me wrong, it is exquisitely yours, but connect with others because of it instead of shrouding yourself in denial. "I’m fine. That’s just the business…" Yes this is factually true, but emotionally false. Acknowledge your sadness, frustration or tiny touch of neuroticism and then connect with others who can relate. Lighten your load by realizing you’re not the only one carrying it.

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3. Go work out. Please. Just do it. There is plenty of scientific research that supports this as a de-stressor. You know it does because you’ve experienced this in your own life. As soon as you start moving and drop into your body, you get out of your head. There is nothing more anxiety-ridden than worrying about what could be, and there is nothing more present-making than connecting with your body. Even just a walk can bring you back to solid ground.

4. Create something brand new. There is so much out of our hands that we forget what we do have in our hands: creative agency. The power to make something brand new is energetic currency. When you step into your own authority and make something that didn’t exist before - even if it’s just a delicious dinner - you are putting something unique into the world. Sure, grilling up some chicken doesn’t seem like much, but the more you create small things every day, the more your brain will expect that creativity from you.

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5. Toast the unknown. We can struggle against the unknown, we can fiddle with uncertainty or we can appreciate it for what it is: magic. The quiet thrill of feeling flung wildly off track. The generous gift from the universe that proves to us that our spontaneity, improvisational skills and beating heart are all in tact and accounted for. Celebrate the fact that this semi-craziness, this temporary head game, is fleeting. Let it serve as a reminder that our life is not measured by how methodically we hit our marks, but rather by how willing we are to surrender to life's mystery.

 

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How do you react to uncertainty?

 

All images via Pinterest.

an argument for creating more and worrying less

Untitled I am desperate for the enrichment of the everyday. I don’t just want the sun to shine, I want it to devastate me with it’s glow. I don’t just want that food to nourish, I want it to embolden me deep in my bones. When people talk about life’s meaninglessness, I edge toward angry defiance because I know there's depth in every moment.

But there are days when I sit and stare at Facebook for two hours straight with a numbed mind that borders on comatose. So, you know, we all have our ups and downs.

We exist in a constant state of flux that, if we’re honest, causes us to see eighty different variations of living one day. This fluctuation shakes things up for us because it seeps into the one thing that’s supposed to be reliable - our work. Our day jobs and night jobs and gigs and contracts. Eventually, our body of work feels like a living organism that breathes in the limitless elements of this world and exhales a combination of those elements that doesn’t always make sense. A blog post here, a gig there, a day job we love, one we hate, sitting at a desk, building a start-up. All of these things materialize into something that resembles us, but we can’t quite see the through-line. And this is where my conversations have led me lately:

How do we manage all the things we are?

Everyone is well aware that very few people nowadays have one job for a lifetime. The economy has made sure of that. And with the way social media has started to drive business (every kind of business), we have better access to each other and more chances to define exactly who we are. And define we will because we know that if we’re not very clear, who we are gets lost in the shuffle. But beyond these imposed social profiles and strict definitions, there is a small hum inside our guts that tells us: there’s more. Not just more to get done and more to add to your plate, but more down deep. More of the good. More where that came from.

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Right now, I have three main paths. I’ll call them paths for now because one makes me money, one will make me money, and one may never make me money. But nonetheless, they are my life’s work every day. So, three paths. Incredibly different. They feed each other now and then, but they require access to different parts of me. And this reconciling is what gets me tied up in knots. This piecing together of those different parts is where my mind starts to spasm.

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However recently, I have been mulling over Steve Jobs’ famous quote about connecting the dots. I never really understood why it was so significant for so many people. I used to think, right, of course we don’t know how anything is going to work out yet, we can’t predict the future. This is not profound. But when I re-read this, I finally picked up on why this advice is crucial:

“You can’t connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something – your gut, destiny, life, karma, whatever. Because believing that the dots will connect down the road will give you the confidence to follow your heart even when it leads you off the well worn path; and that will make all the difference.”

When we are balancing our eight different potential paths, we feel lost. Am I going to end up doing this? Or that? Or a combination of the two? Is this really who I’m supposed to be? But when we realize that whatever that generator is that is humming in our bones is exactly who we are “supposed to be” because it’s exactly who we are, we can see that the type of work we do is less important than simply committing to doing the work. In other words, if our message is being transmitted out into the world, the vehicle is secondary.Tweet: If our message is being transmitted into the world, the vehicle is secondary. - @courtneyromano via @littleredswell http://ctt.ec/aQ6K1+

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Director, painter, musician, and meditator David Lynch says this about the different ways he will make a film:

“See, a painting is much cheaper than making a film. And photography is, you know, way cheap. So if I get an idea for a film, there are many ways to get it together and go realize that film. There's really nothing to be afraid of.”

argHe’s not attached to the film. He’s attached to the transmission. He’s attached to creating and communicating. He has developed a body of work that on paper seems to be a thrown together collection of hobbies, but in real life, is an intricate and logical plan that allows him to constantly create without the fear of having to “give anything up.” The dots are connected because the body of work is connected to him.

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How do we manage all the things we are? By always doing the work. That hum in your gut won’t go away until you communicate it. Instead of trying to manage it, we might be better served by releasing all of our anxieties about the type of work we “should” or “shouldn’t” be doing, and getting ferociously committed to communicating that ebb and flow that exists in all of us. We might finally see the bigger picture, create the balance, and connect the dots by just going ahead and letting ‘er rip.

When do you clearly see your through-line, if at all?

all images via Pinterest